The design, character and performance are comparable to some of the finest vintage tube mics of the 1950' & 1960', but at a fraction of the cost.The rugged CV-12 microphone body and capsule assembly are … I’m not saying that they were identical but rather that these two mics probably sounded as close to each other as any two different C 12s would. So, what exactly does modification involve? I positioned them as closely as I could, ran each through a channel on the HV-3D and started off with acoustic guitar. Their similarities seemed almost too good to be true. Great to see Slau Halatyn writing for RecordingHacks. But as a DIYer on a tight budget, I’d of course be more than happy with the AA mods (I’ll get that vintage C12 when I get that record deal) although more than likely I’ll attempt a similar modification myself, since I enjoy doing and learning these things. In my case, I bought the 460s for $188 each and paid $439 a piece for the full modification with Peluso capsules. Although my studio doesn’t boast one, DreamHire, one of the greatest pro audio rental companies, has several and is literally down the street from us, so a C 12 was just a phone call away. The Apex 460 Microphone can be purchased for right around 200 dollars and its well worth the money spent. By taking the output from the cathode in the second stage, the output impedance is much lower than the ‘old-school’ plate output circuit used by AKG in the C 12, the ELA M 251 and even Neumann in the U 47. Let me start by saying that I probably would have been happy with any one of the three mics in most situations. One of the names that kept coming up in my research was Dave Thomas of Advanced Audio Microphones. For the average project studio owner, spending $5,000 or $10,000 on a microphone is usually out of the question, but spending a few hundred dollars on a mic and a few hundred dollars on modifications is a much more realistic proposition. It seemed like a sturdy mount with better build quality than the stock Apex mount. When compared to the commonly used K67-type capsule with its 8dB, 8-9kHz boost (often not de-emphasized in the following circuit as Neumann intended this capsule design to be treated – such as found in the stock Apex 460) or when compared to an edge-terminate capsule with its 8dB or more boost at 12kHz (Many Rode capsules or aftermarket edge-terminated replacement capsules for example), the MJE-K47 offers a more “Neumann-esque” mid-range focus with a gentle 5kHz presence “mound” followed by a flat and sibilance free top end with an earlier HF roll-off. Unboxing of the avantone cv-12. I’m very excited to hear about your new capsule and have heard that you’re considering releasing a branded mic of your own. I can confirm this. In every case, the two sounded interchangeable as far as I was concerned. If I were going to buy another pair, I’d probably buy the Advanced Audio-branded CM-12 if for no other reason than the power supply has a nice, plain, smooth metal chassis. Even $630 is too much for me to spend on a mic since I’m in grad school and recording is a hobby that pays very little. There are those who regard even the C 12 VR, AKG’s revival of its legendary icon, as a poor imitation of its predecessor — and it happens to be a $6,400 imitation. Riv, new microphones in the Advanced Audio pipeline, Audio Comparison – Black Lion Audio mod for Digi-002R, podcast episode dedicated to the Advanced Audio CM-12SE mod, Interview with Ken Scott and Rod Morgenstein. The MJE-K47 is a “rounder” sound. I also included acoustic guitar, as it often reveals things that the other sources don’t. Besides, the naturally very high maximum SPL handling also makes it a very versatile mic for various purposes. This looks very similar to (IMHO the internals are almost identical to) the mics you have been discussing however the manufacturer say that the components are manufacturered in USA (except the Slovakian tube used) and then assembled in Asia.. Amazing warmth and an airy top end, with very good control of sibilance, are this mic's main features. Or, I might simply recite Dave’s own words: Because the 460-type circuit used the second half of the 12AX7 as a line driver (CF output), it is possible to take advantage of this in a couple of ways. For more information about Advanced Audio Microphones please visit AAmicrophones.com. Will they help a studio attract clientele? ( which I also purchased). One of the criticisms I had read on an audio forum claimed that Dave was impossible to reach and terrible at returning phone calls. There will undoubtedly be those who will quickly dismiss my assessment as rubbish — how could a cheap mic even begin to compare with an expensive vintage mic? 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